A nice new review out in prestigious Die Neue Zeitschrift für Musik n.2 of this year. Stefan Fricke writes about Sub Rosa release of the two volumes of the Fluxus&NeoFluxus Collection vol.1 and vol.2 :
“[…] Congratulations also to those who want to hear and read this; there is much to discover. A colorful compilation […] a collector’s edition that does not conclusively cover the subject, but rather invites further, more in-depth searching, finding, and doing it yourself. […] Let’s get started.”
Some nice reviews coming up during Winter time. One is after the concert-marathon in Prague at the end of November dedicated to Fluxus repertoire, together with some great musicians: Anna Clementi , Deborah Walker, Luciano Chessa, Werner Durand, Miroslav Beinhauer. The review by Jozef Cseres shows a very competent and engaged point of view on Fluxus music: I’m even more pleased that he enjoyed the performance. You can find the full version here and an extract in the image below.
A further review comes from Sands-zine, an Italian music magazine. Very pleased again to “earn a front row seat in the great book of cagean interpretations” thanks to my release of Sonatas&Interludes for prepared piano by John Cage, Neuma Records 2023!
Ready to fly to Prague next week at Žižkov Atrium for LUXURY OF MIND = FLUXUS.
On the 28th November at 19.30
Anna Clementi (Germany, voice), Deborah Walker (Italy, cello), Luciano Chessa (Italy, Dan Bau, violin, organ), Werner Durand (Germany, wind instruments), Miroslav Beinhauer (Czechia, piano), Petr Bakla (Czechia, piano), Petr Ferenc (Czechia, spoken word) and me
will be ready to perform a quite unusual happening/concert with music by
John Cage, Milan Knizák, Henning Christiansen, Philip Corner, George Maciunas, Geoffrey Hendricks, Yoko Ono, Giuseppe Chiari, Terry Riley, Eric Andersen, Dieter Schnebel, Bengt af Klintberg, Mieko Shiomi, Ovvind Fahlström, Sten Hanson, Nam June Paik, La Monte Young.
I bet it will be fun!
All started from an idea by Petr Studený and Opening Performance Orchestra in Prague, that led to the release of Stolen Symphony, the first volume of Fluxus&NeoFluxus collection, and now, brand new, to the second and final part, Keep together (Sub Rosa label, 2024). As the previous one, it’s a limited edition (400 copies) of double LP or double CD, with a very rich booklet with many texts and essays about Fluxus. But differently from the first, which is sold out, there are still copies available! I played a La Monte Young-inspired piece, and re-released music by Philip Corner and Giancarlo Cardini (also in Neuma Records and Da Vinci Classics). Very happy to be part of this second edition with all the musicians I will soon meet in Prague and many others.
Some photos of the evening – almost three hours of music and performance! – and the rehearsals. Thanks to Petr Studený for the pics.
In a few weeks I’ll be in Berlin again with two concerts, on the 6th of August and on the 20th of August. The first recital, Open Cage, will be dedicated to John Cage‘s music for toy piano, prepared piano, string piano and “regular” piano. The second program, Fluxus Cardboards, will feature music by Fluxus artists and composers Corner, Shiomi, La Monte Young, Higgins, and Cardini. Both recitals are included in a concert series parallel to the exhibition “Holy Fluxus”, held from July 13th to September 8th at St. Matthews Church in Berlin. The exhibit is organized by Archivio Conz and presents to the public part of the wide collection of Francesco Conz, now available in Berlin thanks to a huge cataloguing work. Quoting from Archivio Conz press review, “Francesco Conz (1935–2010) was an obsessive Italian collector, patron, curator, friend of artists, and “producer as artist sui generis” (Thomas Marquard). In 1972, after meeting Hermann Nitsch, Günter Brus, and Joe Jones in Berlin, his interests focused on Lettrism, Concrete Poetry, Viennese Actionism, Fluxus, music, and literature. Over the course of many decades, he created a unique worldwide network of artists. His tireless activities as a publisher of over 560 art editions (Edizioni Conz) in the northern Italian city of Asolo, and later in Verona, contributed significantly to the development of Fluxus in Italy and worldwide. Since 2016, the Archivio Conz, with its approximately 5,000 objects by more than 200 artists, has been housed in Berlin and is now being presented to the public in its entirety for the first time after eight years of cataloging and digitization.”
I am very pleased to be part of the event together with many friends and musicians; in fact, the exhibit will host a free concert every Tuesday, and you can check the full programme here. Below some information about the two recitals (and some images later, as usual).
Open Cage, on August 6th, is a listening journey around the sound of the piano. It includes music by John Cage for toy, prepared and regular piano, hosting a piece for “string piano” composed by Tan Dun in honour of John Cage. The young Chinese composer found a supporter in Cage, who spoke very positively of him during the interviews and conversations of the last years. It’s a music programme I’ve played many times, always with a lot of pleasure, looking forward to the surprise of the new sounds of preparation of Sonatas&Interludes (you never know, when preparing a piano, what will come out at the end). A little treat: this time I will play a toy piano from Conz collection, signed by Fluxus artist Larry Miller.
Fluxus Cardboards, on August 20th, includes plenty of Fluxus music and of course plenty of handmade musical cardboards. It’s not the first time that I spend some hours with scissors, glue, paper and cutter, as far as it seems that these fragments of score, once thrown into the air after being played, are irresistible souvenirs for the audience… Composer Mieko Shiomi wrote to me very pleased at the idea that some of her music is now in different homes around the world, so I keep cutting and pasting in good spirits. Beside Mieko Shiomi’s, the programme will feature music by Philip Corner, Giancarlo Cardini, Dick Higgins and inspired by La Monte Young. Cardboards, mallets, brushes, balls and other sonorous objects will be in my baggage – stimulating inquires at airport security check as usual. A stair will host as a special guest Anna Clementi, who kindly agreed to lend her beautiful voice for the opening piece.
↓Photos by @giuliabaresi – Courtesy of Archivio Conz, Berlin. Open Cage, 6th August
↓Photos by Giorgia Palmisano – Courtesy of Archivio Conz, Berlin. Fluxus Cardboards, 20th August
In the last couple of months two very interesting publications have been published about Fluxus, and I’m very pleased to have given my little contribution.
One is a double CD / LP in limited edition, Fluxus & NeoFluxus / Stolen Symphony (Vol. 1), by Sub Rosa label, enriched with a 72 pages booklet, full of texts, notes, images around Fluxus movement. Petr Studený and his Czech Opening Performance Orchestra had the idea to commission a collection of Fluxus recordings to some musicians devoted to this repertoire: Deborah Walker, Anna Clementi Ohlin, Werner Durand, Luciano Chessa, Miroslav Beinhauer, myself and several others. I contributed with new recordings of pieces by Mieko Shiomi (Direction music for a pianist, for spoken voice, piano and cardboards), Dick Higgins (Emmett Williams’ Ear) and (inspired by) La Monte Young (Composition 1960 #15), and some re-releases by Philip Corner and Giancarlo Cardini. But the entire first part of the collection features also music by Eric Andersen, George Brecht, Ay-O, John Cage, Giuseppe Chiari, Henning Christiansen, Öyvind Fahlström, Ken Friedman, Sten Hanson, Geoffrey Hendricks, Toshi Ichiyanagi, Joe Jones, Bengt af Klintberg, Milan Knizak, Alison Knowles, Larry Miller, George Maciunas, Sara Miyamoto, Nam June Paik, Yoko Ono, Opening Performance Orchestra, Benjamin Patterson, Josef Anton Riedl, Terry Riley, Takako Saito, Tomas Schmit, Dieter Schnebel, Yasunao Tone, Ben Vautier, Yoshi Wada. The release is listed among the ten Best Contemporary Classical on Bandcamp in May 2023, here is the link.
An other collector’s item, but above all a valuable study tool, as far as I am concerned, is the beautiful book/catalogue “FLUXUS 1962-2022 – SIXTY YEARS IN FLUX”, published after the big event/exhibition in Genoa dedicated to the 60th anniversary of the founding of Fluxus (Sept-Nov 2022). In addition to the images documenting the exhibit, which alone would be worth the catalogue by themselves, the book is full of statements, testimonies and interviews by Fluxus artists and scholars. It is edited by Caterina Gualco, who has devoted endless energies to promoting Fluxus movement in Italy since the 70ies, Francesca Serrati and Leo Lecci. Honoured to see the program of my September concert in Genoa at the end of the volume, designed by artist Mauro Panichella as all the other graphics of the event. The book is available at Museo d’arte contemporanea di Villa Croce in Genoa.
Next week I’ll be part of a huge celebration for Fluxus anniversary in Genoa, “1962-2022 Sixty Years in Flux”, a big exhibition in Villa Croce Contemporary Art Museum, performances, events and music around the city. On Sept 15th I’ll play an Italian premiere by Mieko Shiomi and other pieces by Philip Corner, La Monte Young, Mieko Shiomi, Giancarlo Cardini, Dick Higgins.
A summer (often) in recording studio working at two upcoming releases. One is “Ludic Inventions” by British composer Colin Riley. Colin dedicated the piece to me in 2018; it will now serve as the foundational layer for a video production featuring Lituan film-maker Kristijonas Dirse. Eager to discover the next steps in this international collaborative project!
Then a recording of pieces by composers Mieko Shiomi and La Monte Young, for an exciting upcoming Fluxus collection. Another opportunity to further challenge creativity!
Fluxus arrived in Trieste on May 11th, during the 28th edition of Satierose Festival at Teatro Miela. Surrounded by the exhibition Satieflux curated by Sara Codutti and Cristina Burelli – Libreria Martincigh, and the humorous “furniture music” chairs created by artists and creative people who answered the call of curator Eleonora Cedaro and Teatro Miela, I premiered A really lovely piece made for & by Agnese by Philip Corner (video), together with music by Shiomi, Higgins, Corner, Glass and of course… Satie (here the programme). Inbetween, extracts from “Boredom and Danger” by Higgins and from an interview by Mieko Shiomi at MoMA.
Listening with Satie in background, before the piece of Philip Corner… (pic: Eleonora Cedaro)
…and smelling the Krapfenpouff from Lella Varesano – yes, real fresh krapfen.
At Artissima Fair 2018 in Turin with Cristina Burelli – Libreria Martincigh to present the video of the premiere of Emmett William’s ear, a graphic score by Dick Higgins, performed at Art Park, Egidio Marzona collection in Verzegnis (Udine, Italy) in June 2018. The score was published in 1977 by Rosanna Chiessi, Pari&Dispari edition. Rosanna Chiessi was a fascinating, unique figure in the international world of the Avant-garde art: Lorenzo Balbi, artistic director of MAMbo – Museo d’Arte Moderna di Bologna, presented the catalogue of the exhibition dedicated to Rosanna at MAMbo in 2018. The day after, unexpected Fluxus encounters: Philip Corner and Phoebe Neville, gong performance and talk.
With Cristina Burelli – Libreria Martincigh Udine.
With Philip Corner, Phoebe Neville, Cristina Burelli, Caterina Gualco (pic courtesy of Sandro Martincigh)
Ad Artissima 2018, Torino con Cristina Burelli – Libreria Martincigh per presentare il video della performance de L’orecchio di Emmett Williams di Dick Higgins, prima esecuzione ad Art Park, Collezione Egidio Marzona, Verzegnis (Udine, Italy), giugno 2018. La partitura grafica è un’edizione del ’77 di Pari&Dispari, casa editrice di Rosanna Chiessi, figura di grande rilievo e fascino nel panorama dell’arte internazionale di avanguardia del secolo scorso. Lorenzo Balbi, direttore artistico del MAMbo – Museo d’Arte Moderna di Bologna, presenta il catalogo della mostra speciale a lei dedicata nel 2018. E il giorno dopo, incontri Fluxus inaspettati con Philip Corner e Phoebe Neville!