It’s on line the conversation held at the Library of Congress on June 3, 2025 before the concert for Lucia Dlugoszewski’s centennial at the Library of Congress in Washington D.C.It’s a 40 minutes conversation moderated by Libby Smigel, Dance curator at Library of Congress Music Division, with two of the closest collaborators of Lucia Dlugoszewski and Erick Hawkins – Katherine Duke and Louis Kavouras – plus scholar Dustin Hurt, who staged the two-day festival of Dlugoszewski’s music in Philadelphia last May, cellist Thomas Kraines from Daedalus Quartet and me. As the website of the Library describes, “topics included the reconstruction of timbre piano scores, recreations of choreography, and bringing music and dance back to life using archival materials in the Library of Congress”; in addition, lovely anecdotes from everyday life with this extraordinary couple of artists help getting closer to their work and their vision of life and art. Enjoy watching it here!
Two performances coming up soon, one in Italy and one in US, celebrating the centennial of two composers, Aldo Clementi and Lucia Dlugoszewski. I’ll have the pleasure to perform with great musicians and dancers.
On Thursday May 29, 9 pm in Tavagnacco, Udine, at Moroso Design Outlet, organized by Salotto Musicale Fvg, I will play some duo pieces in the show of singer and performer (or actress of the voice, as she properly says) Anna Clementi. A. A. Clementi is the title of the event. Anna in fact is the talentuos daughter of Aldo Clementi, one of the main Italian composer of the after-war generation, and the concert is dedicated to his centennial. We will play pieces for voice and piano by Aldo Clementi, John Cage, Mieko Shiomi, Erik Satie and she will perform solos for voice by Emanuele Casale, Morton Feldman, Yoko Ono, Dieter Schnebel. Info and bookings. [Edit: pics below]
Soon after I will fly again to US. On Tuesday June 3, 8 pm in Washington DC at the Thomas Jefferson Building I will perform in a celebrative event organized by the Library of Congress. The (effortless) now: Dances of Erick Hawkins and Lucia Dlugoszewski will celebrate Lucia Dlugoszewski’s centennial, and the Erick Hawkins Dance Company-New York will be dancing the original dances by Hawkins created in a very close collaboration with the music by Lucia Dlugoszewski. Katherine Duke, director of the company, and myself spent several months to reconstruct the works from the original documentation. We made a first performance in Philadelphia a couple of weeks ago where I already had the priviledge of following the beatiful duets of dancers Jason Hortin and Hayley Meier in Here and Now With Watchers and the sparkling quartets in Cantilever. In this program I will also play with Min-Young Kim, top first violin of Daedalus Quartet, an intricate and captivating piece for violin and piano by H. Meltzer. The event is in collaboration with Bowerbird-Philadelphia. Info and tickets [Edit: and pics below].
⬇️ Here are some pics from the performance with Anna Clementi, courtesy of Davide Maestrutti for Salotto Musicale Fvg, and below some from the performance at Library of Congress, Washington DC, for the centennial of Lucia Dlugoszewski with Min-Young Kim and Hawkins Dance Company, by Shawn Miller, Library of Congress.
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Min-Young Kim, on violin, and Agnese Toniutti, on piano, perform Harold Metzler’s “Kreisleriana” in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress.
Note: Privacy and publicity rights for individuals depicted may apply.Min-Young Kim, on violin, and Agnese Toniutti, on piano, perform Harold Metzler’s “Kreisleriana” in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress.
Note: Privacy and publicity rights for individuals depicted may apply.Min-Young Kim, on violin, and Agnese Toniutti, on piano, perform Harold Metzler’s “Kreisleriana” in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress.
Note: Privacy and publicity rights for individuals depicted may apply.Hayley Meier and Jason Hortin of the Erick Hawkins Dance Company perform excerpts of “Here and Now With Watchers” with Agnese Toniutti on piano in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress.
Note: Privacy and publicity rights for individuals depicted may apply.Jason Hortin of the Erick Hawkins Dance Company performs excerpts of “Here and Now With Watchers” with Agnese Toniutti on piano in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress.
Note: Privacy and publicity rights for individuals depicted may apply.Hayley Meier of the Erick Hawkins Dance Company performs excerpts of “Here and Now With Watchers” with Agnese Toniutti on piano in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress.
Note: Privacy and publicity rights for individuals depicted may apply.Hayley Meier and Jason Hortin of the Erick Hawkins Dance Company perform excerpts of “Here and Now With Watchers” with Agnese Toniutti on piano in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress.
Note: Privacy and publicity rights for individuals depicted may apply.Jason Hortin of the Erick Hawkins Dance Company performs excerpts of “Cantilever” in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress.
Note: Privacy and publicity rights for individuals depicted may apply.Members of the Erick Hawkins Dance Company perform excerpts of “Cantilever” in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress.
Note: Privacy and publicity rights for individuals depicted may apply.Members of the Erick Hawkins Dance Company perform excerpts of “Cantilever” in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress.
Note: Privacy and publicity rights for individuals depicted may apply.Members of the Erick Hawkins Dance Company perform excerpts of “Cantilever” in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress.
Note: Privacy and publicity rights for individuals depicted may apply.
Getting ready for departure, destination United States! After two shows in Philadelphia – all pieces for piano and timbre piano by Lucia Dlugoszewski performed in solo and with Hawkins Dance Company (see previous article) – I will be in Brooklyn, NY at Blank Forms, playing music by Scelsi, Cardini, Berio, Higgins and Corner. Then going South to Houston, Texas for an Open Cage show at Memorial Classical Music Series. Below all the details and some pics taken during the performances:
May 9, Philadelphia, FringeArts: “Pure Lucia”, music by Lucia Dlugoszewski for piano and timbre-piano with the dances by Erick Hawkins performed by Hawkins Company New York info May 10, Philadelphia, FringeArts: “Pure Lucia”, music by Lucia Dlugoszewski for solo timbre-piano info May 11, Brooklyn, New York, Blank Forms, music by G. Cardini, G.Scelsi, D.Higgins, P.Corner, L.Berio info May 14, Houston, Texas, Memorial Classical Music Series, music for piano, string piano and prepared piano by John Cage and Tan Dun info
I’ll be back in US in June, in Washington DC at the Library of Congress:
June 3, Washington DC, Library of Congress, “The effortless now”, music by L.Dlugoszewki for piano and timbre-piano with Erick Hawkins Dance Company and a duo by H.Melzter with violinist Min-Young Kim, Daedalus Quartet. info here
Brooklyn, New York, May 11 at Blank Forms, pics courtesy of Peter Gannushkin:
Houston, TX, May 14, Memorial Classical Music Series:
Next month I’ll fly to USA for some performances dedicated to composer Lucia Dlugoszewski. First stop in Philadelphia at the festival organized by Bowerbird, “Pure Lucia”, a retrospective of the life and work of the composer taking place at FringeArts on May 9th (program) and 10th (program). Two evenings fully dedicated to Dlugoszewski’s music for ensemble, solo instruments and timbre-piano, including the projection of a film by Marie Menken and the beautiful dances performed by the Hawkins Dance Company, curated by director and choreographer Katherine Duke. I’m very excited to be part of the project and to perform my newly transcribed version of Here&Now With Watchers. I expect this will be a further opportunity to deepen my knowledge about the composer. On this respect, Bowerbird will host a series of on-line webinars called “Lunch with Lucia”: I’ll give my contribution on April, 21st, with “Sound Inside: Exploring Dlugoszewski’s Timbre Piano”, but I’m very much looking forward to all the other episodes, starting April 10th!
After Philadelphia, the next stop will be in Washington DC, at the Library of Congress, in June.
Again at work on one of LuciaDlugoszewski’s seminal pieces for timbre-piano, Here and Now with Watchers. An evening-length piece written for the dance of Erick Hawkins and his new-born dance company, it was the result of a joined creative effort lasting years. The complexity and beauty of the piece, premiered in 1957, also represent many strong aesthetic and philosophical principles that Dlugoszewski and Hawkins developed in the following years, in each own field of art. Dlugoszewski also took the occasion to formalize some important statements about music and the nature of timbre-piano. The composition was created in close conjunction with dance, but ready to be standing alone (she performed it as a concert piece with the title “Archaic Timbre Piano Music”). I concentrated my efforts on three sections of the piece. As usual, there is not a proper score: Dlugoszewski wrote for her own performances, and her notation – when existing – is not at all exhaustive for a performer. This time I had the help of a precious folder kept at Library of Congress, Washington DC, with many notated pages clearly referable to one of the sections of “Here and Now”, tough in mixed order and probably coming from different times in composition and revision. There are even a handful of pages in nice copy, providing precious notational elements. Still, this useful but scattered material is not enough. For my transcription I used as a main source one video of the 60ies with Hawkins performing the dance and Dlugoszewski the music, cross-checking sound and movement with the dance score. As I learned in “Cantilever” music, counting is mandatory in case of Dlugoszewski/Hawkins compositions! Constant discussion with Katherine Duke, director of the Hawkins Dance Company, followed the progression of the work. Comparing these different materials had been very interesting to gather further information on the process of creation and eventually notation of the music; I have the feeling of an improved knowledge of Dlugoszewski’s musical world. I guess, as with the other pieces, that the destiny of this transcription will be to be revised several times, at least one for each future performance. But for now the next task is to make the music of “Here and Now” alive again, ready in some weeks! Tag on Lucia Dlugoszewski
Working on Here and Now With Watchers by L.Dlugoszewski
More about Lucia Dlugoszewski’s timbre-piano: it just has been published an article written in collaboration with Kate Doyle, PhD, for Contemporary Music Review Special Issue: Engaging Analysis and Performance. Kate is assistant Professor of Music in the Department of Arts, Culture & Media at Rutgers University—Newark, and I had the pleasure of collaborating with her for several years now about the work of Dlugoszewski. This is our more recent production after partecipating to Toronto Symposium and to the American Musicological Society Annual Meeting. The title of the paper is Problem as Possibility: A Dialogue about Performance and Analysis with Lucia Dlugoszewski’s Experimental Notation as Case Study (https://doi.org/10.1080/07494467.2023.2193090). Here is the abstract:
The musical score can be a site for dynamic exchange between performance and analysis, a place for conversation about material and meaning. As is typical in conversation, conundrums or disagreements generate new ideas and new forms; problems become possibilities. Such is the case in navigating the scores of Lucia Dlugoszewski, who sought radical ways to produce and notate sound forms from around 1950 until her death in 2000. This article is not intended to serve as a survey of Dlugoszewski’s work but to document an exploration of the role that dialogue plays when performing and analysing musical repertoires. Its two authors will perform an excerpt of an ongoing dialogue about the challenges of navigating Dlugoszewski’s innovative scores. A circularity emerges as every potential solution is performed, evaluated, and questioned anew; through this cycle, analysis and performance become a unified, continual process. A thesis emerges from the dialogue: Dlugoszewski’s scores are a documentation of logic that is not present as much as one that is, a kind of notation in reverse, an ideal realised through performance at the edge of practical execution.
Der Freitag and Die junge Welt also wrote about March Subtle Matters recital in Berlin at MaerzMusik Festival (music by Dlugoszewski, Corner, Dun). Quoting Der Freitag in the words of Michael Jäger, …the program announced “sound worlds full of unexpected textures and resonances,” and it was not an over-promise… In the compositions of Lucia Dlugoszewski (1925-2000), Tan Dun (*1957) and Philip Corner (*1933), playing not only on the keys but even more so on the strings under an open piano has always been the main move. We have heard it before, but in the compositions presented here (Tan Dun’s bears the name C-A-G-E, fingering for piano [1994], which refers not only to a sequence of notes, but also to that great initiator, and thus implicitly puts Cage on the same plane as B-A-C-H), the strings are often used like a zither, and sound almost like a zither, sometimes melodious, sometimes “sublimely” chaotic, both then occasionally doubled by the keys – a piano, so to speak, in dialogue with itself. As if communicating with [the] unconscious…
Very excited to take part to MaerzMusik Festival – Berliner Festspiele in Berlin! On March, 24th I will play “Subtle Matters”, with music by Lucia Dlugoszewski, Philip Corner and Tan Dun, following my 2021 release by Neuma Records and adding a premiere of Philip Corner. The recital is part of “Contemplations into the Radical Others”, a long-term project by Maerz Musik focussing on composer Lucia Dlugoszewski in cooperation with the Erick Hawkins Dance Company, Ensemble Musikfabrik and many others. Here you can find the program of the evening, featuring me and Ensemble Musikfabrik, here you have the whole program of the festival, and here there’s an interesting review about Dlugoszewski‘s life and work.
Last update December 2021 Spring is blooming and brings a brand new recording! “Subtle Matters” will be released by American label Neuma Records on April, 16th. It features compositions by Lucia Dlugoszewski, Philip Corner and Tan Dun. Dlugoszewski, pioneer in experimental musical scene, is the inventor of “timbre piano” and Corner, internationally known as a composer, musician and artist, is co-founder of Fluxus movement. Almost all the pieces are played with extended techniques in the inside of the instrument. The album will be welcomed on Monday, 29th March by Alley Stoughton’s show “Not Brahms and Liszt” for Cambridge MIT WMBR Radio. You can also listen to the very first track here on Bandcamp. To know part of the (adventurous) story behind the recording you can read the booklet here (Italian version in pdf here.) To purchase the album: physical copy on Bandcamp or digital download here (from April, 16th).
“[…] Ms. Toniutti impresses with the practiced ease with which she moves from sound event to sound event. Agnese Toniutti takes to these works with enthusiasm, imagination and eventful awareness. As one re-listens a few times the structural and sensual elements of each work becomes more pronounced and readily understandable, until in the end you see that no piece is arbitrary but rather poetically sensible and comprehensible in the pianist’s vision of each segment. The music vacillates between high abstraction, cavernous atmospherics and post-ethnic primality. In so doing the album sums up the spectrum and state-of-the-art for the continuingly fertile extended technique pianisms operative today. I warmly recommend it.” Grego Applegate Edwards, Gapplegate Classical-Modern Music Review, August 23rd, 2021
“[…] Agnese Toniutti is not only a deserving Italian artist but, as far as her subject matter is concerned, she is at the top of the world scene. […] If only for the inclusion of this suite [by Dlugoszewski, ed.] the value of “Subtle Matters” seems to be immeasurable. […] In conclusion, “Subtle Matters” is an important disc, for the material it contains, for the excellent performance, for the excellent sound and for the more than accurate packaging.” Mario Biserni, Sands-zine, August 21st, 2021
“Tinkly, booming, comedic, and thought provoking. ” Cousin Mary, KFJC, July 30th, 2021
“If the extended technique is the “canon” of the 21st century, the pianist Agnese Toniutti deserves a place of honor among the performers who have emerged in this twenty years of amazing creative fervor: figures like hers nourish and even inspire the repertoire of the new avant-gardes dedicated to the instrument of the romantic ideal par excellence […].[…] an all-out action on the metal surface of the taut strings, a landscape of vivid tonal and non-tonal polychromy, a playing field and set of profound dramatic tension that Toniutti masters with extraordinary control, offering us […] one of the most meaningful essays of inside piano never heard.” Michele Palozzo, Percorsi Musicali, June 20th, 2021
“[…] Spooky and entertaining by turn, one’s left curious to see exactly how the work [Dlugoszewski’s Exacerbated Subtlety Concert, ed] is notated, and Toniutti’s intensity and concentration keep us listening. Tan Dun’s C-A-G-E is subtitled a “fingering for piano”, passages where the piano’s strings are strummed hinting at pentatonic folk music. Repeated listenings highlight the work’s ingenuity and beauty, and there’s naturally a focus on the four notes which spell the name of John Cage, a friend and mentor to Tan. Philip Corner’s Toy Piano is ear-tickling, and his A really lovely piece made for & by Agnese showcases her ability to make the unlikeliest musical material sing.“ Graham Rickson, The Art Desk, May 22nd, 2021
Best of Bandcamp Contemporary Classics – April 2021 “This riveting recital by the Italian pianist Agnese Toniutti brings together the work of three disparate composers, all of which involve exploring the inside of the keyboard. In her liner note essay she writes, “Walking into a new score is like opening a door, having in hand a magic access-key to someone else’s inner universe—their music, first of all, but also a world of feelings, thoughts, decisions and reactions, an individual view of life. That notion is crucial to the opening work, the four-movement “Exacerbated Subtlety Concert (Why Does a Woman Love a Man?)” by the Polish-American Lucia Dlugoszewski, who wrote and recorded the piece using the “timbre piano,” one of many instruments she designed before her death in 2000. Toniutti had to learn the piece through that recording and research various ways to get at the sound, since apart from knowing some of the devices she used (including thimbles, hairpins, jars), there was no specific instruction about the instrument. She transcribed the recording and found her own way forward to create something clearly related to the original, but also her own, rife with alien, evocative textures, resonances, and sonic fractures. She also leaves her own impression on works by Tan Dun and Philip Corner.” Peter Margasak, Bandcamp Daily, April 29th, 2021
“In a unique CD, the researcher Agnese Toniutti collects the experiments of the last century of musical history – […] “Subtle Matters” is a rare and courageous example of artistic documentation of poetics by authors who have made and are making the history of piano music -and not – of the late twentieth and twenty-first centuries. […] Between sound echoes of Noh theater and Kabuki (Dlugoszewski), arpeggiated and dreamlike piano delicacies (Tan Dun), fragments of wandering and bewitching sounds (Corner), this work is a “unicum” projected into the future“. Marco Maria Tosolini, Il Gazzettino, April 25th, 2021
“Agnese Toniutti, sonic subversion loves lightness – In her heretical itinerary she meets today Dlugoszewski, Tan Dun and Corner – Far from academisms “Subtle Matters”, the new album by the pianist from Friuli” “…if in this album the four of his works [of Corner, ed] stand out for their acumen and a degree of singularity which is rarely remembered the same, it is certainly due to Toniutti’s acumen and singularity. […] In one of Corner’s pieces, Man In Field (the sound as “Hero”) […] the word masterpiece can be written without hesitation. […] Toniutti magical.”
“[…] a poetic landscape where the key acrobatics are nothing short of stunning.
A very exciting album that nearly redefines how one interprets the piano, Toniutti’s dedication to her art is only proving to be more gripping with each subsequent project, and it be will be interesting to see what happens next.“ Take effect Reviews, April 18th, 2021
“The young pianist, an excellent performer, is here dealing with a repertoire of contemporary music written between 1994 and 2020, ranging from the tribute to John Cage by the Chinese Tan Dun to the dedicated pieces (also for toy piano) by the American Philip Corner, although the surprise remains the initial concert in 4 parts by the Polish-American Lucia Dlugoszewski, an extraordinary artist and inventor of a timbre-piano in which hammers and keys are replaced with strings and plectra. 5/5: Unique.” Guido Michelone, Alias – Il Manifesto, April 17th, 2021
“A very original cd […] by the talented pianist Agnese Toniutti, which presents a courageous choice of authors out of any commercial homologation: Lucia Dlugoszewski (1925-2000), Tan Dun (1957) and Philip Corner (1933). Sounds and peculiar paths that open not only to musical perspectives but also to existential ones. Congratulations for this choice and for the excellent interpretation that demonstrates how much Agnese Toniutti is convincingly inside this music which is also a different interpretation from the usual repertoire.” Renzo Cresti, April 10th, 2021
“Pianist Agnese Toniutti has a bracing, incisively performed new recording, ‘Subtle Matters’, on the Neuma label, featuring pieces by three composers. Lucia Dlugoszewski’s ‘Exacerbated Subtlety Concert (Why Does a Woman Love a Man?’ is a rigorous, four-part exploration of the piano’s interior. There’s a lovely, jagged but dreamy work by Tan Dun, ‘C-A-G-E fingering for piano’ and four wonderful compositions by the always inspiring and challenging Philip Corner. Excellent work, do check it out.” Brian Olewnick, April 1st, 2021
“A wonderful album of modern piano landscapes, all gorgeous and unusual in their own voices. A sonic journey / exploration of dynamic acoustic atmospheres.” Collin J Rae, March 30th, 2021
“One of those people that doesn’t just play the piano, she plays the piano going beyond just hitting the keys and even bringing toys into the arena. An experimental work that doesn’t feel like it’s just pulled out of the air on a whim, this is less a recital than a journey inhabited by stops and starts, twists and turns. Often becoming head music for cosmic experiences, if you start with Varese and go from there, this might just be the musical comfort food you want on your plate.” Chris Spector, March 15th, 2021, Midwest Record
Il Manifesto, April 21st, 2021
Il Gazzettino, April 25th, 2021
RADIO BROADCASTING AND INTERVIEWS: #RadiostArt (Italy) – Interview for Clocks and Clouds with Stefano Taglietti 10.45 pm, June 28th, 2021
#Radio UNAM (Ciudad de Mexico, Mexico): Interview for Testimonio de Oídas curated by Dulce Huet (espagnol – podcast) June 15th and June 19th, 2021
#Radio Horizon 93.9 fm (Johannesburg, South Africa) May 18th, 2021 Philip Corner: Toy piano, A really lovely piece made for & by Agnese
#Radio CiTR 101.9 FM – University of British Columbia (Canada) Bepi Crespan Presents May 8th 2021 Lucia Dlugoszewski: Exacerbated Subtlety Concert (Why Does A Woman Love a Man?) – Part IV, Tan Dun: C-A-G-E, fingering for piano
#Radio Centraal (Antwerpen, Belgium) Vhoorspel with Rudi Claessens April 29th, 2021 Lucia Dlugoszewski: Exacerbated Subtlety Concert (Why Does A Woman Love a Man?) – Part I e II, Philip Corner: Man in field (Sound as hero), A really lovely piece made for & by Agnese
#Radio Onde Furlane (Udine, IT) Ator ator, interview with Paolo Cantarutti (Furlan/ITA) April 28th, 2021 Podcast here Lucia Dlugoszewski: Exacerbated Subtlety Concert (Why Does A Woman Love a Man?), Tan Dun: C-A-G-E, fingering for piano, Philip Corner: A really lovely piece made for & by Agnese
#Radio WFCF (Flagler College Radio, Florida, USA) Music of our Mothers with Ellen Grolman April 28th, 2021 Lucia Dlugoszewski: Exacerbated Subtlety Concert (Why Does A Woman Love a Man?)
#Radio Horizon 93.9 fm (Johannesburg, South Africa) April 26th, 2021 Lucia Dlugoszewski: Exacerbated Subtlety Concert (Why Does A Woman Love a Man?), Tan Dun: C-A-G-E, fingering for piano, Philip Corner: Man in field (Sound as hero), Small pieces of a Fluxus reality
#Radio Panik (Bruxelles, Belgium) Indiedrome : “Exacerbated Subtlety” April 20th, 2021 Lucia Dlugoszewski: Exacerbated Subtlety Concert (Why Does A Woman Love a Man?)
#Radio Capodistria (Slovenia) Sonoramente Classici interview with Luisa Antoni: “Agnese Toniutti presents Subtle Matters” (ITA) April 18th, 2021 Philip Corner: Man in field (Sound as hero), Tan Dun: C-A-G-E, fingering for piano, Lucia Dlugoszewski: Exacerbated Subtlety Concert (Why Does A Woman Love a Man?) – Part 4
#Radio CiTR 101.9 FM – University of British Columbia (Canada) Bepi Crespan Presents April 17th, 2021 Philip Corner: Man in field (The Sound as hero), Small pieces of a Fluxus reality
#Radio Electus (Seattle, USA) #85: Music of Memory with Michael Schell April 8th, 2021 Lucia Dlugoszewski: Exacerbated Subtlety Concert (Why Does A Woman Love a Man?) – Part 2.
#Wrmbr Radio, MIT Institute (Cambridge, USA) – NOT Brahms and Liszt with Alley Stoughton March 29th, 2021 Tan Dun: C-A-G-E, fingering for piano, Philip Corner: A really lovely piece made for & by Agnese
A brief extract from Dlugoszewski’s Exacerbated Subtlety Concert – Part IV for “timbre piano”, performed at Angelica Festival, Bologna (IT), on Sept 18th, 2020 (European premiere).
