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Agnese_Toniutti_su_Giancarlo Cardini_Quaderni di Octandre n.29 01 copia

News 0 comments Agenda, book, Giancarlo Cardini, Lento trascolorare, research

Writing about Giancarlo Cardini’s piano music published by Agenda

Agnese

18 Giugno 2025

While I was in USA a copy of Cardini live – Quaderni di Octandre n.29, new publication by Agenda Produzioni in Bologna (IT), was delivered at my address. I contributed with an essay on Giancarlo Cardini’s piano pieces – the ones I performed on stage and / or recorded in Lento trascolorare (Da Vinci Classics, 2020).
The titles of Cardini’s pieces are often poetic and suggestive. I quote one of them in the title of my writing: Paesaggio marino al tramonto, con barca e grande nuvola nera (the translation sounds as “Sea landscape at sunset, with boat and big dark cloud”): a glance on piano compositions by Giancarlo Cardini. In fact the deep poetic inspiration that pervades Cardini’s music can be also found in the titles of his pieces and in his writings – a good sample of this is his artist book Soap bubbles – Bolle di sapone.
In the essay I try to find some recurrent aesthetic traits of Cardini’s creativity and root them in the analysis of the scores composed for his elective instrument, the piano. “Divagazioni intorno a tre canti dell’Euridice di Peri” (2013), “Paesaggio marino al tramonto con barca e nuvola nera” (1998), “Via del Fico, Firenze. Una piccola strada disadorna, silenziosa, quasi immota, arida e bella” (2011), “Tre momenti di sessualità infantile” (2007), “Terza Fantasia, ad Agnese Toniutti” (2018), “Foglie d’autunno lentamente trascolorano” (1983, rev. 2018), “Rituals for the Ryoanji Garden” (2012) and “Una notte d’inverno” are all mentioned and scrutinized.
The list of contributors to Cardini live, curated by musicologist Renzo Cresti, includes musicians, scholars and writers that worked and studied with Giancarlo Cardini; I am looking forward to read each essay, a way of celebrating him through words, music and heartfelt memories.




Agnese_Toniutti_Anna Clementi by D. Maestrutti-68 copia

News 0 comments Aldo Clementi, Anna Clementi, review, Salotto Musicale del Friuli Venezia Giulia, voice and piano

Review of “A.A.Clementi” performance for Le Salon Musical

Agnese

16 Giugno 2025

Nice review coming after A.A.Clementi, the concert with Anna Clementi in Udine for Salotto Musicale Fvg on May, 29. Paolo Carradori for Le Salon Musical succeeded in the not easy task of depicting in words the explosive energy of the singer. Indeed it was fun both to play together pieces for voice and piano by Aldo Clementi, Erik Satie, John Cage, Mieko Shiomi and listen to her solo sparkling performances of pieces by Cage, Morton Feldman, Emanuele Casale, Dieter Schnebel, Yoko Ono. You can find the full review here (in italian).
Below some extracts translated in English and some nice pics here.

“Also of considerable interest are the two short works stimulated by the Joycian masterpiece Finnegan’s Wake. Toniutti flanks Clementi and on the closed piano used as an almost ancestral percussion she emphasizes, distributes interpunitions, accents behind the voice that, like a sound wave, flows legibly, detachedly, dreamily. […] Clementi […] gives us a pleasant and sparkling Je te veux on a text by the poet Henry Pacory. She is flanked by the piano with effective and engaging touch. In a few minutes we recall the singularity, the originality of the French composer. […] The evening closes with two Japanese composers Mieko Shiomi and Yoko Ono. Their works hark back to the art movement born in the 1960s and called Fluxus. Experimentalism, interdisciplinarity, improvisation, happenings, and performance aspects are its founding features. In an open vision where art is lived as a collective life experience against all conventions, the works presented by Clementi through actions, gestures, vocality, transport us to those years full of expectations and research. ” Paolo Carradori – Le Salon Musical




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News 0 comments Aldo Clementi, Bowerbird, extended techniques, Hawkins Dance, Here and Now with Watchers, Library of Congress, Lucia Dlugoszewski, Salotto Musicale del Friuli Venezia Giulia, timbre piano, USA

Aldo Clementi in Udine, Lucia Dlugoszewski in Washington DC

Agnese

28 Maggio 2025

Two performances coming up soon, one in Italy and one in US, celebrating the centennial of two composers, Aldo Clementi and Lucia Dlugoszewski. I’ll have the pleasure to perform with great musicians and dancers.

On Thursday May 29, 9 pm in Tavagnacco, Udine, at Moroso Design Outlet, organized by Salotto Musicale Fvg, I will play some duo pieces in the show of singer and performer (or actress of the voice, as she properly says) Anna Clementi. A. A. Clementi is the title of the event. Anna in fact is the talentuos daughter of Aldo Clementi, one of the main Italian composer of the after-war generation, and the concert is dedicated to his centennial. We will play pieces for voice and piano by Aldo Clementi, John Cage, Mieko Shiomi, Erik Satie and she will perform solos for voice by Emanuele Casale, Morton Feldman, Yoko Ono, Dieter Schnebel. Info and bookings. [Edit: pics below]

Soon after I will fly again to US. On Tuesday June 3, 8 pm in Washington DC at the Thomas Jefferson Building I will perform in a celebrative event organized by the Library of Congress. 
The (effortless) now: Dances of Erick Hawkins and Lucia Dlugoszewski will celebrate Lucia Dlugoszewski’s centennial, and the Erick Hawkins Dance Company-New York will be dancing the original dances by Hawkins created in a very close collaboration with the music by Lucia Dlugoszewski. Katherine Duke, director of the company, and myself spent several months to reconstruct the works from the original documentation. We made a first performance in Philadelphia a couple of weeks ago where I already had the priviledge of following the beatiful duets of dancers Jason Hortin and Hayley Meier in Here and Now With Watchers and the sparkling quartets in Cantilever. In this program I will also play with Min-Young Kim, top first violin of Daedalus Quartet, an intricate and captivating piece for violin and piano by H. Meltzer. The event is in collaboration with Bowerbird-Philadelphia.  Info and tickets [Edit: and pics below].

⬇️ Here are some pics from the performance with Anna Clementi, courtesy of Davide Maestrutti for Salotto Musicale Fvg, and below some from the performance at Library of Congress, Washington DC, for the centennial of Lucia Dlugoszewski with Min-Young Kim and Hawkins Dance Company.

————————————————

  • Min-Young Kim, on violin, and Agnese Toniutti, on piano, perform Harold Metzler’s “Kreisleriana” in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress. Note: Privacy and publicity rights for individuals depicted may apply.
  • Min-Young Kim, on violin, and Agnese Toniutti, on piano, perform Harold Metzler’s “Kreisleriana” in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress. Note: Privacy and publicity rights for individuals depicted may apply.
  • Min-Young Kim, on violin, and Agnese Toniutti, on piano, perform Harold Metzler’s “Kreisleriana” in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress. Note: Privacy and publicity rights for individuals depicted may apply.
  • Hayley Meier and Jason Hortin of the Erick Hawkins Dance Company perform excerpts of “Here and Now With Watchers” with Agnese Toniutti on piano in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress. Note: Privacy and publicity rights for individuals depicted may apply.
  • Jason Hortin of the Erick Hawkins Dance Company performs excerpts of “Here and Now With Watchers” with Agnese Toniutti on piano in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress. Note: Privacy and publicity rights for individuals depicted may apply.
  • Hayley Meier of the Erick Hawkins Dance Company performs excerpts of “Here and Now With Watchers” with Agnese Toniutti on piano in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress. Note: Privacy and publicity rights for individuals depicted may apply.
  • Hayley Meier and Jason Hortin of the Erick Hawkins Dance Company perform excerpts of “Here and Now With Watchers” with Agnese Toniutti on piano in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress. Note: Privacy and publicity rights for individuals depicted may apply.
  • Jason Hortin of the Erick Hawkins Dance Company performs excerpts of “Cantilever” in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress. Note: Privacy and publicity rights for individuals depicted may apply.
  • Members of the Erick Hawkins Dance Company perform excerpts of “Cantilever” in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress. Note: Privacy and publicity rights for individuals depicted may apply.
  • Members of the Erick Hawkins Dance Company perform excerpts of “Cantilever” in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress. Note: Privacy and publicity rights for individuals depicted may apply.
  • Members of the Erick Hawkins Dance Company perform excerpts of “Cantilever” in the Coolidge Auditorium, June 3, 2025. Photo by Shawn Miller/Library of Congress. Note: Privacy and publicity rights for individuals depicted may apply.



voli-usa

News 0 comments Bowerbird, extended techniques, Hawkins Dance, Here and Now with Watchers, Houston, Library of Congress, Lucia Dlugoszewski, New York, Philadelphia., timbre piano, USA

Philadelphia, New York, Houston in May

Agnese

30 Aprile 2025

Getting ready for departure, destination United States!
After two shows in Philadelphia – all pieces for piano and timbre piano by Lucia Dlugoszewski performed in solo and with Hawkins Dance Company (see previous article) – I will be in Brooklyn, NY at Blank Forms, playing music by Scelsi, Cardini, Berio, Higgins and Corner. Then going South to Houston, Texas for an Open Cage show at Memorial Classical Music Series.
Below all the details and some pics taken during the performances:

May 9, Philadelphia, FringeArts: “Pure Lucia”, music by Lucia Dlugoszewski for piano and timbre-piano with the dances by Erick Hawkins performed by Hawkins Company New York info
May 10, Philadelphia, FringeArts: “Pure Lucia”, music by Lucia Dlugoszewski for solo timbre-piano info
May 11, Brooklyn, New York, Blank Forms, music by G. Cardini, G.Scelsi, D.Higgins, P.Corner, L.Berio info
May 14, Houston, Texas, Memorial Classical Music Series, music for piano, string piano and prepared piano by John Cage and Tan Dun info


I’ll be back in US in June, in Washington DC at the Library of Congress:

June 3, Washington DC, Library of Congress, “The effortless now”, music by L.Dlugoszewki for piano and timbre-piano with Erick Hawkins Dance Company and a duo by H.Melzter with violinist Min-Young Kim, Daedalus Quartet. info here

Brooklyn, New York, May 11 at Blank Forms, pics courtesy of Peter Gannushkin:

Houston, TX, May 14, Memorial Classical Music Series:



Bowerbird festival - Philadelphia

News 0 comments Bowerbird, extended techniques, Hawkins Dance, Here and Now with Watchers, Lucia Dlugoszewski, Philadelphia., research, timbre piano

Pure Lucia in Philadelphia (and Lunch with Lucia)

Agnese

7 Aprile 2025

Next month I’ll fly to USA for some performances dedicated to composer Lucia Dlugoszewski.
First stop in Philadelphia at the festival organized by Bowerbird, “Pure Lucia”, a retrospective of the life and work of the composer taking place at FringeArts on May 9th (program) and 10th (program).
Two evenings fully dedicated to Dlugoszewski’s music for ensemble, solo instruments and timbre-piano, including the projection of a film by Marie Menken and the beautiful dances performed by the Hawkins Dance Company, curated by director and choreographer Katherine Duke.
I’m very excited to be part of the project and to perform my newly transcribed version of Here&Now With Watchers. I expect this will be a further opportunity to deepen my knowledge about the composer.
On this respect, Bowerbird will host a series of on-line webinars called “Lunch with Lucia”: I’ll give my contribution on April, 21st, with “Sound Inside: Exploring Dlugoszewski’s Timbre Piano”, but I’m very much looking forward to all the other episodes, starting April 10th!

After Philadelphia, the next stop will be in Washington DC, at the Library of Congress, in June.



Here and Now with Watchers

News 0 comments extended techniques, Hawkins Dance, Here and Now with Watchers, Lucia Dlugoszewski, research, timbre piano

Transcribing Here and Now With Watchers by Lucia Dlugoszewski

Agnese

24 Marzo 2025

Again at work on one of Lucia Dlugoszewski’s seminal pieces for timbre-piano, Here and Now with Watchers.
An evening-length piece written for the dance of Erick Hawkins and his new-born dance company, it was the result of a joined creative effort lasting years. The complexity and beauty of the piece, premiered in 1957, also represent many strong aesthetic and philosophical principles that Dlugoszewski and Hawkins developed in the following years, in each own field of art.
Dlugoszewski also took the occasion to formalize some important statements about music and the nature of timbre-piano.
The composition was created in close conjunction with dance, but ready to be standing alone (she performed it as a concert piece with the title “Archaic Timbre Piano Music”).
I concentrated my efforts on three sections of the piece. As usual, there is not a proper score: Dlugoszewski wrote for her own performances, and her notation – when existing – is not at all exhaustive for a performer.
This time I had the help of a precious folder kept at Library of Congress, Washington DC, with many notated pages clearly referable to one of the sections of “Here and Now”, tough in mixed order and probably coming from different times in composition and revision. There are even a handful of pages in nice copy, providing precious notational elements.
Still, this useful but scattered material is not enough. For my transcription I used as a main source one video of the 60ies with Hawkins performing the dance and Dlugoszewski the music, cross-checking sound and movement with the dance score. As I learned in “Cantilever” music, counting is mandatory in case of Dlugoszewski/Hawkins compositions! Constant discussion with Katherine Duke, director of the Hawkins Dance Company, followed the progression of the work.
Comparing these different materials had been very interesting to gather further information on the process of creation and eventually notation of the music; I have the feeling of an improved knowledge of Dlugoszewski’s musical world. I guess, as with the other pieces, that the destiny of this transcription will be to be revised several times, at least one for each future performance.
But for now the next task is to make the music of “Here and Now” alive again, ready in some weeks!
Tag on Lucia Dlugoszewski

Working on Here and Now With Watchers by L.Dlugoszewski



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News Fluxus, John Cage, Prague, review

Winter reviews – Fluxus and Cage

Agnese

10 Febbraio 2025

Some nice reviews coming up during Winter time.
One is after the concert-marathon in Prague at the end of November dedicated to Fluxus repertoire, together with some great musicians: Anna Clementi , Deborah Walker, Luciano Chessa, Werner Durand, Miroslav Beinhauer. The review by Jozef Cseres shows a very competent and engaged point of view on Fluxus music: I’m even more pleased that he enjoyed the performance. You can find the full version here and an extract in the image below.

A further review comes from Sands-zine, an Italian music magazine. Very pleased again to “earn a front row seat in the great book of cagean interpretations” thanks to my release of Sonatas&Interludes for prepared piano by John Cage, Neuma Records 2023!


Luxury Of Mind = Fluxus - poster copia

News Dick Higgins, Fluxus, Giancarlo Cardini, John Cage, La Monte Young, Mieko Shiomi, new release, Philip Corner, Prague

Prague and new Fluxus release

Agnese

20 Novembre 2024

Ready to fly to Prague next week at Žižkov Atrium for LUXURY OF MIND = FLUXUS.

On the 28th November at 19.30

Anna Clementi (Germany, voice), Deborah Walker (Italy, cello), Luciano Chessa (Italy, Dan Bau, violin, organ), Werner Durand (Germany, wind instruments), Miroslav Beinhauer (Czechia, piano), Petr Bakla (Czechia, piano), Petr Ferenc (Czechia, spoken word) and me

will be ready to perform a quite unusual happening/concert with music by

John Cage, Milan Knizák, Henning Christiansen, Philip Corner, George Maciunas, Geoffrey Hendricks, Yoko Ono, Giuseppe Chiari, Terry Riley, Eric Andersen, Dieter Schnebel, Bengt af Klintberg, Mieko Shiomi, Ovvind Fahlström, Sten Hanson, Nam June Paik, La Monte Young.

I bet it will be fun!

All started from an idea by Petr Studený and Opening Performance Orchestra in Prague, that led to the release of Stolen Symphony, the first volume of Fluxus&NeoFluxus collection, and now, brand new, to the second and final part, Keep together (Sub Rosa label, 2024). As the previous one, it’s a limited edition (400 copies) of double LP or double CD, with a very rich booklet with many texts and essays about Fluxus. But differently from the first, which is sold out, there are still copies available! I played a La Monte Young-inspired piece, and re-released music by Philip Corner and Giancarlo Cardini (also in Neuma Records and Da Vinci Classics). Very happy to be part of this second edition with all the musicians I will soon meet in Prague and many others.

Some photos of the evening – almost three hours of music and performance! – and the rehearsals. Thanks to Petr Studený for the pics.

 


240625_AK_Holy-Fluxus_inv_web

News Archivio Conz, Berlin, Dick Higgins, Fluxus, Fluxus Cardboards, Giancarlo Cardini, Holy Fluxus, John Cage, La Monte Young, Mieko Shiomi, Open Cage, Philip Corner, prepared piano

August in Berlin with Holy Fluxus

Agnese

16 Luglio 2024

In a few weeks I’ll be in Berlin again with two concerts, on the 6th of August and on the 20th of August.
The first recital, Open Cage, will be dedicated to John Cage‘s music for toy piano, prepared piano, string piano and “regular” piano. The second program, Fluxus Cardboards, will feature music by Fluxus artists and composers Corner, Shiomi, La Monte Young, Higgins, and Cardini. Both recitals are included in a concert series parallel to the exhibition “Holy Fluxus”, held from July 13th to September 8th at St. Matthews Church in Berlin.
The exhibit is organized by Archivio Conz and presents to the public part of the wide collection of Francesco Conz, now available in Berlin thanks to a huge cataloguing work. Quoting from Archivio Conz press review, “Francesco Conz (1935–2010) was an obsessive Italian collector, patron, curator, friend of artists, and “producer as artist sui generis” (Thomas Marquard). In 1972, after meeting Hermann Nitsch, Günter Brus, and Joe Jones in Berlin, his interests focused on Lettrism, Concrete Poetry, Viennese Actionism, Fluxus, music, and literature. Over the course of many decades, he created a unique worldwide network of artists. His tireless activities as a publisher of over 560 art editions (Edizioni Conz) in the northern Italian city of Asolo, and later in Verona, contributed significantly to the development of Fluxus in Italy and worldwide. Since 2016, the Archivio Conz, with its approximately 5,000 objects by more than 200 artists, has been housed in Berlin and is now being presented to the public in its entirety for the first time after eight years of cataloging and digitization.”

I am very pleased to be part of the event together with many friends and musicians; in fact, the exhibit will host a free concert every Tuesday, and you can check the full programme here. Below some information about the two recitals (and some images later, as usual).

Open Cage, on August 6th, is a listening journey around the sound of the piano. It includes music by John Cage for toy, prepared and regular piano, hosting a piece for “string piano” composed by Tan Dun in honour of John Cage. The young Chinese composer found a supporter in Cage, who spoke very positively of him during the interviews and conversations of the last years. It’s a music programme I’ve played many times, always with a lot of pleasure, looking forward to the surprise of the new sounds of preparation of Sonatas&Interludes (you never know, when preparing a piano, what will come out at the end). A little treat: this time I will play a toy piano from Conz collection, signed by Fluxus artist Larry Miller.

Fluxus Cardboards, on August 20th, includes plenty of Fluxus music and of course plenty of handmade musical cardboards. It’s not the first time that I spend some hours with scissors, glue, paper and cutter, as far as it seems that these fragments of score, once thrown into the air after being played, are irresistible souvenirs for the audience… Composer Mieko Shiomi wrote to me very pleased at the idea that some of her music is now in different homes around the world, so I keep cutting and pasting in good spirits. Beside Mieko Shiomi’s, the programme will feature music by Philip Corner, Giancarlo Cardini, Dick Higgins and inspired by La Monte Young. Cardboards, mallets, brushes, balls and other sonorous objects will be in my baggage – stimulating inquires at airport security check as usual. A stair will host as a special guest Anna Clementi, who kindly agreed to lend her beautiful voice for the opening piece.

↓Photos by @giuliabaresi – Courtesy of Archivio Conz, Berlin.
Open Cage, 6th August

↓Photos by Giorgia Palmisano – Courtesy of Archivio Conz, Berlin.
Fluxus Cardboards, 20th August


DSC_7064-Migliorato-NRritaglio

News 0 comments Museo Cavazzini, Philip Corner, Salotto Musicale del Friuli Venezia Giulia

Philip Corner’s piano music in Udine

Agnese

30 Maggio 2024

After last October concert for Festival Aperto in Reggio Emilia, here we go with an other show with Philip Corner’s piano music.
On Saturday, June 1st, at Museo di Arte Moderna e Contemporanea Casa Cavazzini in Udine at 6.30 pm we will play together a choice from his 70 years repertoire for solo piano and piano four-hands. As a precious counterpoint, some original music papers by Corner from Caterina Gualco / Unimedia Modern collection, curated by Cristina Burelli.
The concert is organized by Civici Musei Udine, in collaboration with Salotto Musicale Fvg.
Needless to say I’m very happy and looking forward to the privilege of sharing again the stage (and the piano) with Philip!


Below some pictures by ©Rebecca Paviola for Comune di Udine that captured the intense emotion of the evening, and a chronicle of the event through the eyes of Marco Strozzi.
Very special guest, Phoebe Neville.

@Roberta Paviola for Comune di Udine – click to expand

@Marco Strozzi


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